Invited Guests
Diana Domingues
Professor, researcher and multimedia artist, has a traditional academic qualification on Fine Arts, but her interesses are directed mainly to unconventional art production techniques, inspired by a course taught by Walter Zanini about the artwork of Marcel Duchamp, where she started to work with photomechanics and xerography.
Has executed more than thirty individual exhibitions and more than a hundred collaborative ones. Has been quoted in various international publications and is the author of many articles from books and specialized magazines. At the VII Biennial of Havana in 2000, earned UNESCO’s Art Promotion Award. Coordinated the research group Novas Tecnologias nas Artes Visuais (New Technology in Visual Arts) from UCS, integrating researchers and scholarship holders in the fields of arts, communication, informatics and industrial automation[3]. Is currently the coordinator of LART, Laboratório de Pesquisa em Arte e TecnoCiência (Research Lab in Art and Techno Science) at University of Brasilia, Gama campus and performs as National Senior Visitor Professor - CAPES. Is also a Collaborator Professor in the Arts postgraduate program of UnB and the Biomedical Engineering postgraduate program of FGA-Unb.
Professor, researcher and multimedia artist, has a traditional academic qualification on Fine Arts, but her interesses are directed mainly to unconventional art production techniques, inspired by a course taught by Walter Zanini about the artwork of Marcel Duchamp, where she started to work with photomechanics and xerography.
Has executed more than thirty individual exhibitions and more than a hundred collaborative ones. Has been quoted in various international publications and is the author of many articles from books and specialized magazines. At the VII Biennial of Havana in 2000, earned UNESCO’s Art Promotion Award. Coordinated the research group Novas Tecnologias nas Artes Visuais (New Technology in Visual Arts) from UCS, integrating researchers and scholarship holders in the fields of arts, communication, informatics and industrial automation[3]. Is currently the coordinator of LART, Laboratório de Pesquisa em Arte e TecnoCiência (Research Lab in Art and Techno Science) at University of Brasilia, Gama campus and performs as National Senior Visitor Professor - CAPES. Is also a Collaborator Professor in the Arts postgraduate program of UnB and the Biomedical Engineering postgraduate program of FGA-Unb.
Guto Nóbrega
Carlos (Guto) Nóbrega has a PhD (2009) in Interactive Arts by the postgraduate program Planetary Collegium (Former CAiiA-STAR), University of Plymouth UK, where he developed a research under orientation of Prof. Roy Ascott during 4 years with a full PhD Scholarship from CAPES. His research of “trans” disciplinary nature on the field of arts, science, technology and environment studies how those fields confluence (specially in the last two decades) have been reporting the creation of new aesthetic experiences.
This study delivers as a result, a theoretical-practical intervention in the field of arts with a main focus on interactivity ideas, telematics, field theories and hiper-systems. Guto Nóbrega is an artist, researcher and Communication, Technology and Aesthetics Master by ECO-UFRJ (2003) and a graduate in engraving by EBA-UFRJ (1998) where he has been lecturing since 1995 and currently establishes and coordinates NANO – Núcleo de Arte e Novos Organismos (Center of Arts and New Organisms) space of research for investigation of the intersection between art, science and technology.
Carlos (Guto) Nóbrega has a PhD (2009) in Interactive Arts by the postgraduate program Planetary Collegium (Former CAiiA-STAR), University of Plymouth UK, where he developed a research under orientation of Prof. Roy Ascott during 4 years with a full PhD Scholarship from CAPES. His research of “trans” disciplinary nature on the field of arts, science, technology and environment studies how those fields confluence (specially in the last two decades) have been reporting the creation of new aesthetic experiences.
This study delivers as a result, a theoretical-practical intervention in the field of arts with a main focus on interactivity ideas, telematics, field theories and hiper-systems. Guto Nóbrega is an artist, researcher and Communication, Technology and Aesthetics Master by ECO-UFRJ (2003) and a graduate in engraving by EBA-UFRJ (1998) where he has been lecturing since 1995 and currently establishes and coordinates NANO – Núcleo de Arte e Novos Organismos (Center of Arts and New Organisms) space of research for investigation of the intersection between art, science and technology.
Helena Barranha
Helena Barranha formou-se em Arquitectura (FA-UTL, 1995), tem Mestrado em Gestão do Património Cultural (UAlg, 2001) e Doutoramento em Arquitectura, com dissertação sobre Museus de Arte Contemporânea em Portugal (FAUP, 2008). É Professora Auxiliar no Instituto Superior Técnico – Universidade de Lisboa e colabora também, desde 2007, com a Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa, onde lecciona Arquitectura de Museus e Museografia. Foi Directora do Museu Nacional de Arte Contemporânea – Museu do Chiado, entre 2009 e 2012 e Investigadora-Responsável do projecto unplace - Um Museu sem Lugar (ver unplace.org). A sua actividade profissional e de investigação centra-se no património arquitectónico, nos museus de arte contemporânea e nas exposições de arte digital, temas sobre os quais tem realizado vários estudos e publicações. É membro da Associação Acesso Cultura, da Europeana Network Association e do ICOM-Portugal.
Helena Barranha formou-se em Arquitectura (FA-UTL, 1995), tem Mestrado em Gestão do Património Cultural (UAlg, 2001) e Doutoramento em Arquitectura, com dissertação sobre Museus de Arte Contemporânea em Portugal (FAUP, 2008). É Professora Auxiliar no Instituto Superior Técnico – Universidade de Lisboa e colabora também, desde 2007, com a Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa, onde lecciona Arquitectura de Museus e Museografia. Foi Directora do Museu Nacional de Arte Contemporânea – Museu do Chiado, entre 2009 e 2012 e Investigadora-Responsável do projecto unplace - Um Museu sem Lugar (ver unplace.org). A sua actividade profissional e de investigação centra-se no património arquitectónico, nos museus de arte contemporânea e nas exposições de arte digital, temas sobre os quais tem realizado vários estudos e publicações. É membro da Associação Acesso Cultura, da Europeana Network Association e do ICOM-Portugal.
Lynne Heller
Lynne Heller is a post-disciplinary artist, an educator and academic. Her interests encompass material culture, new media performative interaction, graphic novels and sculptural installation. Heller completed her MFA at the School of the Art Institute of Chicago in 2004 and her PhD in 2016 at University College Dublin, Ireland from the department of Gender, Culture and Identity in the School of Humanities and Arts, with a research focus on feminist practice in online culture. Her research was practice-based, with a specialty in Digital Media Arts. She is a cross-appointed Assistant Professor at OCAD University in the Faculties of Design, Liberal Arts & Sciences and School of Interdisciplinary Studies, as well as being co-director of the Data Materialization Lab. She is also an adjunct faculty member of SMARTlab, Ireland.
Lynne Heller is a post-disciplinary artist, an educator and academic. Her interests encompass material culture, new media performative interaction, graphic novels and sculptural installation. Heller completed her MFA at the School of the Art Institute of Chicago in 2004 and her PhD in 2016 at University College Dublin, Ireland from the department of Gender, Culture and Identity in the School of Humanities and Arts, with a research focus on feminist practice in online culture. Her research was practice-based, with a specialty in Digital Media Arts. She is a cross-appointed Assistant Professor at OCAD University in the Faculties of Design, Liberal Arts & Sciences and School of Interdisciplinary Studies, as well as being co-director of the Data Materialization Lab. She is also an adjunct faculty member of SMARTlab, Ireland.
Marcos Guterres
Industrial Chemist, with a Masters of Analytical Chemistry by Universidade Federal de Santa Maria (UFSM) and PhD of Physical-Chemical by Universidade Estadual de Campinas (UNICAMP). Works at the pharmaceutical industry since 2007 as a senior scientific researcher. Has experience in the prospection and execution of research and development projects for the pharmaceutical sector. Intervenes in the following themes: multivariate statistical analysis methods, physical-chemical templates analysis, formulation of pharmaceutical products and chemical analysis methods validation.
Industrial Chemist, with a Masters of Analytical Chemistry by Universidade Federal de Santa Maria (UFSM) and PhD of Physical-Chemical by Universidade Estadual de Campinas (UNICAMP). Works at the pharmaceutical industry since 2007 as a senior scientific researcher. Has experience in the prospection and execution of research and development projects for the pharmaceutical sector. Intervenes in the following themes: multivariate statistical analysis methods, physical-chemical templates analysis, formulation of pharmaceutical products and chemical analysis methods validation.
Milton Sogabe
Since 1994 has been teaching at Instituto de Artes da Universidade Estadual Paulista - UNESP. From early 70s until mid 80s delivers an artistic production of drawings and etchings. At late 70s organizes and participates of Tupinãodá, graffiti artists’ group of São Paulo. In 1985 starts a research and production of Art-Technology, at that time especifically of Art-Telecommunication, shaping in 1996 with other artists, the SCIArts - Interdisciplinary team, moment in which he starts working on interactive installations, based on new technologies and scientific theories. Performed as the coordinator of a graduation course (1996-2000), coordinator of post-graduation, vice-director, pro tempore director, president of the committee at Instituto de Artes da UNESP, Council member at Pinacoteca do Estado de São Paulo (1984-1988), committee of Arts at CAPES (2005-latest), committee of visual arts at INEP-MEC (2002), partner Ad Hoc of CNPq, FAPESP, CAPES and associate coordinator in the field of arts/music at CAPES(2011-2014).
Since 1994 has been teaching at Instituto de Artes da Universidade Estadual Paulista - UNESP. From early 70s until mid 80s delivers an artistic production of drawings and etchings. At late 70s organizes and participates of Tupinãodá, graffiti artists’ group of São Paulo. In 1985 starts a research and production of Art-Technology, at that time especifically of Art-Telecommunication, shaping in 1996 with other artists, the SCIArts - Interdisciplinary team, moment in which he starts working on interactive installations, based on new technologies and scientific theories. Performed as the coordinator of a graduation course (1996-2000), coordinator of post-graduation, vice-director, pro tempore director, president of the committee at Instituto de Artes da UNESP, Council member at Pinacoteca do Estado de São Paulo (1984-1988), committee of Arts at CAPES (2005-latest), committee of visual arts at INEP-MEC (2002), partner Ad Hoc of CNPq, FAPESP, CAPES and associate coordinator in the field of arts/music at CAPES(2011-2014).
Priscila Arantes
É critica, curadora, pesquisadora no campo da arte e estética contemporânea.É formada em filosofia pela Universidade de São Paulo (USP), possui Mestrado e Doutorado em Comunicação e Semiótica pela Pontifícia Universidade Católica de São Paulo (PUC/SP) e pós doutorado pela Penn State University (USA) e UNICAMP.Bolsista PQ, é professora titular do Programa de Pós-Graduação (Mestrado e Doutorado) em Design da Universidade Anhembi Morumbi e vice-coordenadora e docente do curso de Arte: História, Crítica e Curadoria da PUC/SP. É diretora e curadora do Paço das Artes, instituição da Secretaria de Estado da Cultura de São Paulo desde 2007, desenvolvendo inúmeros projetos curatoriais, expositivos, encontros, seminários e publicações. Entre 2007 e 2011 foi diretora adjunta do MIS (Museu da Imagem e Som/SP) atuando na curadoria de programação. É coordenadora do grupo cadastrado no CNPq Design, Arte e Memória: perspectivas contemporâneas e integra os grupos de pesquisa cadastrados no CNPq: História, Arte, Crítica e Curadoria (PUC/SP) e Arquivos de Museus e Pesquisa (USP/SP.).
É critica, curadora, pesquisadora no campo da arte e estética contemporânea.É formada em filosofia pela Universidade de São Paulo (USP), possui Mestrado e Doutorado em Comunicação e Semiótica pela Pontifícia Universidade Católica de São Paulo (PUC/SP) e pós doutorado pela Penn State University (USA) e UNICAMP.Bolsista PQ, é professora titular do Programa de Pós-Graduação (Mestrado e Doutorado) em Design da Universidade Anhembi Morumbi e vice-coordenadora e docente do curso de Arte: História, Crítica e Curadoria da PUC/SP. É diretora e curadora do Paço das Artes, instituição da Secretaria de Estado da Cultura de São Paulo desde 2007, desenvolvendo inúmeros projetos curatoriais, expositivos, encontros, seminários e publicações. Entre 2007 e 2011 foi diretora adjunta do MIS (Museu da Imagem e Som/SP) atuando na curadoria de programação. É coordenadora do grupo cadastrado no CNPq Design, Arte e Memória: perspectivas contemporâneas e integra os grupos de pesquisa cadastrados no CNPq: História, Arte, Crítica e Curadoria (PUC/SP) e Arquivos de Museus e Pesquisa (USP/SP.).
Renata Baracho Porto
Associate Professor at the Postgraduate Programme in Management and Knowledge Organization - PPGGOC of Universidade Federal de Minas Gerais - UFMG. President of Associação Nacional de Pesquisa e Pós-Graduação em Ciência da Informação - ANCIB, Sub-Coordinator of Programa de Pós-Graduação em Gestão e Organização do Conhecimento - PPGGOC of Universidade Federal de Minas Gerais - UFMG. Vice-Coordinator of Núcleo de Informação Tecnológica e Gerencial - NITEG / UFMG gestão 2013-2015, Coordinator of Programa de Pós-Graduação em Ciência da Informação da Universidade Federal de Minas Gerais - PPGCI/UFMG gestão 2012-2014. Member of International Institute of Informatics and Systemics - IIIS - International Federation for Systems Research - IFSR, IEEE, ICOM, ICOMOS. PhD of Science of information by UFMG with PDEE in The Pennsylvania State University, Master of Computational Science by DCC/UFMG, has a graduation in Architecture and Urbanism by UFMG and graduation in Computational Science by Pontifícia Universidade Católica de Minas Gerais.
Associate Professor at the Postgraduate Programme in Management and Knowledge Organization - PPGGOC of Universidade Federal de Minas Gerais - UFMG. President of Associação Nacional de Pesquisa e Pós-Graduação em Ciência da Informação - ANCIB, Sub-Coordinator of Programa de Pós-Graduação em Gestão e Organização do Conhecimento - PPGGOC of Universidade Federal de Minas Gerais - UFMG. Vice-Coordinator of Núcleo de Informação Tecnológica e Gerencial - NITEG / UFMG gestão 2013-2015, Coordinator of Programa de Pós-Graduação em Ciência da Informação da Universidade Federal de Minas Gerais - PPGCI/UFMG gestão 2012-2014. Member of International Institute of Informatics and Systemics - IIIS - International Federation for Systems Research - IFSR, IEEE, ICOM, ICOMOS. PhD of Science of information by UFMG with PDEE in The Pennsylvania State University, Master of Computational Science by DCC/UFMG, has a graduation in Architecture and Urbanism by UFMG and graduation in Computational Science by Pontifícia Universidade Católica de Minas Gerais.
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